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Saturday, June 6, 2020

Fab Foundations # 23: “The Poster Child of Yearbook Quotes”

(Personal reflections inspired by Beatles songs)

Song: “In My Life”
Album: Rubber Soul
Release Date: December 1965

My wife’s 1977 Woburn High School Yearbook personal quote reads:

“There are places I’ll remember
All my life, though some have changed
Some forever not for better
Some have gone, and some remain
All these places have their moments
With lovers and friends, I still can recall
Some are dead, and some are living
In my life, I’ve loved them all”

Nancy’s thoughtful excerpt from the Lennon/McCartney song “In My Life” (lightyears better than my ambiguous yearbook quote “ Ya, Jerry”) is not only perfectly emblematic of the emotions that most of us have at that important stage in life, it also arguably pegs the most succinct, precise, and famous lyrical statement of all time when it comes to songs about nostalgia. In fact, I believe this Beatles classic song of tenderness ended up hitting the ball so far out of the park, that it made it difficult if not impossible for others in the Rock genera to take a stab at the sentiment themselves. One song that comes to mind is Bob Seger’s “Like a Rock”; a nice tune, but not quite in the same league. Another is Bruce Springsteen’s “Thunder Road”, but it’s not as focused. As for the other musicians I’ve covered in this blog series, I can’t recall if any of them even attempted (maybe Neil Young with “Don’t Be Denied”, but that song is on the fringe of nostalgia). My guess is that they all must have shrugged their shoulders and muttered something to the effect of “oh well, that topics been covered”.

So, how to explain the sentiment that John Lennon and the Beatles capture so amazingly with “In My Life” ( https://www.youtube.com/watch?v=YBcdt6DsLQA )? How to explain the sweet emotions that Nancy, me, and so many others experienced as we graduated from high school; the kind of emotions that allowed us to relate to that song so strongly.

Let me start by narrowing down the window a bit. I don’t relate this music or these lyrics to how someone feels prior to the age of, say 16.  Sure, later in life you can look back on your earliest memories with nostalgia, but not while you are living it.  In other words, when you are 10, you don’t look back at your 5-year-old world in a dreamy way (at least I didn’t). No, I’m thinking these reflective emotions really don’t kick in until you are about 17 or 18…when you are getting ready to move on from your life as a dependent and break off on your own.

What happens within that 2 year window that stirs nostalgia? Well, for many of us, it’s our first real taste of freedom. Case in point: Through grade school and beyond, my brother’s oldest daughter – my niece - was always 2 class grades ahead of my daugther. I’ll never forget when Joe told me during his daughter’s senior year that she was an infrequent house guest - her days and nights spent almost entirely with her fellow-graduating-class friends - and semi-jokingly suggested that I should start preparing for this as a Dad.

I’m glad Joe said this, but my preparation may not have been quite how he pictured it, because a big part of bracing myself was in reflecting on my own life at that time. I started having more flashbacks on all sorts of things, such as how the early-evening air felt on my face as I stepped out the back door with my mind set on night moves. I recalled more of the music I listened to, my sense of loyalty at the time, my lankiness, hanging out in the woods, and how my eyes adjusted to the darkness. I recalled the inside jokes among friends, the letter writing, the fireside gatherings, and the deep discussions. All of this helped me to find a parental balance of sorts toward my daughter (and later my son) when they reached that magic age. For sure, it was hard being on the Dad side of the coin, but those reflections made it easier.

Freedom can do amazing things to self-esteem. As an antithesis to this, I recall a colleague of mine who grew up behind the Iron Curtain. Despite being a bright guy, he was always very hesitant to make any big bold decisions. In other words, he was hesitant to stand out. My supervisor stated that this colleague had to first shake the mental shackles off before he could do this. Slowly, over a period of time, this mental liberation played out.  I couldn’t relate to my colleagues’ plight at all at the time. I needed to hear the sage wisdom of my supervisor to understand. I took my mental freedom for granted, as if everyone had it by nature and nothing could break it.

If you use freedom correctly, it can come with a whole suite of positive emotions, including trust, kindness, love, and, yes, nostalgia. Some people consider nostalgia a retreat from reality; a negative emotion. I’ve never felt that way. Nostalgia is a great emotion for developing strong memory, which in turn helps someone to be empathetic of others. It also gives you a solid historical perspective on things. Yes, we must live in the present, as I hear so often, but dipping your toe into your past on occasion can make the present feel more vibrant, more alive. 

With that said, I thought I’d spend the rest of this entry in a nostalgic state of mind. I’ll do this by tackling a memory for each of my biggest supporters in this blog endeavor, all of whom I send weekly email “heads up” reminders whenever I submit a new entry (~ 30 of you). Some memories are specific, and others general. This is by no means a comprehensive list of friends and family who I could do this for, but I have to keep it finite, and so I’ll stick with the weekly shout-out crowd. Also, these are not necessarily the best memories I have with each of you, just the first ones that came to mind. I’ll do this in bulleted form, without names associated and leave it to you to guess what memory relates to whom. I’ll try to keep as unrelated to time and place as possible. Some of these may be very easy to guess, but others not so (several of you don’t know anyone else, or perhaps you only know one or two, so I apologize for that). I randomly selected the order to throw everyone off.

Here goes:
  • A quintessential excursion which included a walled city, fjords, and hundreds of pearl-white belugas bouncing across a scenic Seaway (with a capital S).
  • A 4-hour drive with ‘the man in the long black coat’, making our way downstream on one of North America’s largest tributaries while singing along with the songs of our (mutual) favorite musician as if our lives depended on it.
  • Edging our way on ski’s up to a pinnacle of the continental divide, where we would sit on a cliff edge, crack open beers, and toast the majestic natural beauty in front of us, as well as our brotherhood.
  • Your world views in my younger life were huge in giving me a sense of the importance of history and geography (which ended up being my dual major in undergraduate studies). I recall from long ago your love of Native American Culture and the history of Mexico. It was all fascinating to listen to you talk about these subjects as a kid.
  • Coffee and tea in the hometown of a Nobel prize winner, and the deep conversation that bounced from motorcycle accidents to transfigurations to the shores of the Red River
  • A world-famous Tower (with a capital T), a slip under the chains, a backstairs climb, and a once in a lifetime question
  • A memory of you looking up at me after clearly making a profound connection with the story I was reading to you, and me realizing at that moment there was someone very special here in my midst
  • A sprint across an Emerald (with capital E) field to keep from being gorged by bulls. This a few weeks after us passing on the chance to do so in a more officially observed event
  • A Western (with a capital W) snowshoe afternoon in drifts so deep at times, that we could hardly move, and with a dog who had to be rescued from the significant snowballs accumulating on her shaggy coat.
  • A broken leg and a night of physical and mental resolve that showed yet again how deeply you care
  • A wonderful evening dining together with our young families, which reaffirmed for me the role I had accepted when I became a Dad.
  • In a ‘reality is stranger than fiction’ moment, I glanced to my left at the urinal next to me at a Bruins game, and lo and behold, who should I see! It led to a wonderful nite, the two of us sharing our friends (we each had a buddy with us) and our love for each other.
  • A nervous greeting soon transitioned into a very relaxed atmosphere later that evening with the words “there he goes!”
  • An introductory discussion about horse heads frozen like statues in a frigid northern river for an entire winter led to an immediate understanding that this was a guy I was going to like
  • A harried tent sprint across a windy field (me in the car, you, my poor cohort running behind to keep up, tent between us) gave me solace in the wonders of such an easy going nature.
  • Acceptance of my offbeat humor, a willingness to wake up early on weekend mornings to paint, an enthusiasm to listen to my comic book reading, and help on my newspaper routes made me realize long ago that I had a bond for life.
  • Amazing strength in times of loss (particularly when in the spotlight) will always have me feeling blessed whenever I have the grace to connect. We are way overdue for an early morning discussion over strong coffee.
  • Having defeated death on several occasions, your priorities in life are soul-deep-inspiring. Your leaning on me all those years ago for ideas on your record-buying spree was an honor I took very seriously.
  • Hilarious childhood memories of swapping personas of musicians as we imitated them over your record player gave me an early sensibility for the power of music.
  • An evening ventured into a hidden lock system in the downtown area of a capital city, and the deep conversation that ensued, led me to the belief that our friendship would be long lasting.
  • Of all the concerts I have ever been to in my life, my all-time favorite was seeing the Who with you. The thought-provoking discussion on the ride home was not too shabby either. What could be better than to share an experience always treasured with someone you love who never has experienced it, and at a time when you know that person was ready for it. Needless to say, the Who did their job in this bargain too (which also contributed to the intensity of the moment, seeing as you never know when that opportunity will be lost).
  • Speaking of the Who, a ride to the Big Apple to see Quadrophenia led to a classic moment when all conversation was ceased by your high decimal cranking of said album, reflecting your sense of the moment.
  • In the relatively short time that we have been friends (actually ~ 10 years now, so the term ‘relative’ is a key one here), memories of outdoor activity (hiking, snowshoeing, etc.) already dominate all others in this blog appreciation. That’s a big-time kudos coming from a fellow outdoor enthusiast.
  • Role reversal at my bachelor party, including cleaning off my ‘cake face’ and much later, tucking me in (yes, I have a vague memory of this), gave me a clearer sense on the power of adapting for the moment or even the times. 
  • Your friendship with my wife has become my friendship too. Your tenderness with your sister is something to behold, and some of my favorite Christmas-time memories are at those special events of hers that you warmly invite us to every year. When I look up “giver” it’s your face in that dictionary entry.
  • Like John & Yoko, your bond with your husband is truly a 2-as-1 observation for all of us who have the pleasure to witness. Love is Real, Real is Love. Grow Old Along with Me. All You Need is Love. Yup, you’ve got it! The memories collide, but most all include both of you.
  • So many incredible times together, it’s hard to pick one.  For whatever reason, an all-nighter, early-morning sunrise on the shores of Lake Champlain come to mind.  Perhaps it speaks to the ‘all-times-all-places’ nature of our friendship.
  • Learning to perform music together has been a unique joy. 
  • The drive out to Tanglewood to see Neil Young all those years ago is etched in my mind, as are all the other musically-inspired moments you introduced me to (more than anyone else I know).
  • You beat me at Stratego when I was 16 and you were 7.  Man, that was humbling. Believe me, this was a good thing! Your feedback during this Fab Foundations series has been second to none.
Now, time to queue up “In My Life”, put on the headphones and reread this entry.  Thanks everyone, for the blog support and the wonderful nostalgia.
- Pete
P.S. This entry is dedicated to my wife, whose high school yearbook quote inspired this entry and whose love for me helped round out the meaning of the rest of “In My Life” beyond her quote.

Saturday, May 30, 2020

Fab Foundations # 22: “The Collaborate Principle”

(Personal reflections inspired by Beatles songs)

Song: “Yellow Submarine”
Album: Revolver
Release Date: August 1966

Like many of my fellow concert-loving Baby Boomers, I’ve attended hundreds of live music events in my lifetime. The ever-growing list (which is on temporary Covid hiatus) includes The Who (~ 15 times), Neil Young (~ 12 times), the Rolling Stones (~ 12 times), Jonathan Richman (~ 12 times), Bob Dylan (5 times), Van Morrison, Lou Reed, Leonard Cohen, REM (3), Joe Jackson (3), The Grateful Dead (~ 8 times), Elvis Costello, Rush, Pete Townshend (2), Roger Daltrey (3), John Entwistle (5), Charlie Watts, The Clash, Tom Petty (3), CSN (2), The Band, The Allman Brothers, The Pogues, Rat Dog, The Kinks, The Jerry Garcia Band, John Mellencamp, Elton John (2), Eric Clapton, 10,000 Maniacs, Midnight Oil, Roger Waters (2), World Party, Southside Johnny (4), Iris Dement, Richard Thompson, Ray Davies, Dave Davies, Arlo Guthrie, Richie Havens, The Stray Cats, Ronnie Wood, and a host of others.

With all this concert attendance, you would think I’d have seen my share of ex-Beatles shows. However, I can only lay claim to one of these events, which was the first incarnation of Ringo Starr with his All-Starr Band back in 1989. I’ve been shamefully remiss in catching a Paul McCartney concert and I need to correct this at some point. I was excited when George Harrison toured Japan in 1991, hoping he would extend it here in the USA, but alas that was not to be; big-stage events never being his want in life. As for John Lennon, well, no chance there (would he have toured his Double Fantasy LP along with other music he was finally creating again in 1980? We will never know. If so, I would have been there for sure).

The Ringo show was a fun ride more than anything. What else would you expect? Starr is a fun magnet, and it’s obvious his contemporaries know this. Who else could pull together musical talent as diverse as Rick Danko, Paul Shaffer, Todd Rundgren, Dr. John, and Joe Walsh?  I went with my brother, Fred, who did a great imitation of front-man Ringo for years after the fact (note to self: I must have Fred indulge me with that one again next time we hook up).

As mentioned before in this blog series, during the time when the Beatles were slowly breaking up in the late 60s, there would often be strife between George, John and Paul, but not Ringo. He was the short term remedy for his bandmates. Why? Because they all loved him. And so, it is my belief that Starr kept the band together singlehandedly near the end, if only by his sheer presence. And after the Beatles broke up, they all would collaborate with him, but rarely if ever without him (Starr’s album Ringo was the only post-Beatles solo album that all 4 members contributed to).

I liken Ringo Starr to Ronnie Wood in this regard. Wood has the same reputation in the Rolling Stones; another band with powerful personalities at play. This is interesting, because on at least several occasions, Ringo and Ronnie were added to the evening festivities of some of Rocks most historic events including The Last Waltz, and Paul McCartney’s 2018 tour (I know I’m forgetting at least one other big one). They also showed up together to play on Bob Dylan’s “Heart of Mine”, which I wrote about in my Master Blueprints series 2 years ago (#29). It seemed as if they were always there for the big backstage party, where they would loosen things up and generate fun. And so, heck, why not pull them up on stage for the closing numbers. 

What makes Ringo Starr so likeable to those around him? I chalk it up to the Collaborate Principle, which defines any characteristic that makes someone fit in well to a group effort. Ringo is a peace loving guy (which is actually his motto these days) who deflects praise, puts in the requisite effort, and makes people laugh in the process. These are all characteristics of the Collaborate Principle. One fun clip to witness Starr in action in this regard is the “invention of music” scene from the movie Caveman: ( https://www.youtube.com/watch?v=tYBNoFcvcWI ). Yeah, that just about says it all.

With all that said about Ringo, I figured it was about high time in this blog series I focus on the Beatles penchant for fun. The only other band that rivals them in this way is the Who (specifically Keith Moon and Pete Townshend).  Both bands could step away from the serious stuff on occasion and don the jester hat. Both bands had a knack for composing fun music too. With the Who it was songs like “Pictures of Lily”, “Tattoo”, “Happy Jack”, “Squeeze Box”, and “Magic Bus”. In the case of the Beatles, it was songs like “Octopus’s Garden”, “You Know My Name (Look Up the Number)”, “Hey Bulldog”, “All Together Now”, “Birthday”, and of course “Yellow Submarine” ( https://www.youtube.com/watch?v=m2uTFF_3MaA  ).

The Beatles fun turned out to be our fun too. In the movie Help! we see the origins of The Monkees and Batman. In the Yellow Submarine animated film, we see the origins of Monty Python’s Flying Circus. I also came to recognize John Lennon’s sense of humor in several of my most quick-witted friends.  And much like the Beatles with their Christmas tapes, my friends and I made hilarious homemade tapes too (man, I wish I still had those).  And yes, Magical Mystery Tour was a bit out there, but I’d be a hypocrite to think I have not pulled the same shenanigans with my brother Joe. 

I listened a number of times to “Yellow Submarine” this week; a song which, along with the fun angle, has the added touch of appealing to children and the young at heart. This is done through fairytale imagination, and although Ringo did not write the song, he made it work with his dreamy vocals. There is a loose-mood feel from beginning to end, which, again, is the type of rarified atmosphere the Beatles were blessed with generating that made them special. The sound effects and bridge vocals (“Full speed ahead Mr. Parker, full speed ahead”. “Full speed ahead it is, Sergeant”. “Action Station, action station”. “Aye, aye, sir, fire”, “Captain, captain”) crack me up now as much as they did 40 years ago. I also love the line “Many more of them live next door” (“them” being friends).  How do you live next door to a submarine that is adrift in the deep green sea?  Only in a child’s imagination, that’s how.

With each replay of the song this week, I thought of my own Yellow-Submarine-like worlds when I was young.  I thought of the “Mountain” on the edge of the woods, where my brothers, my friends, and I would often go with crowbars, chisels and hammers to create our own Mesa Verde.  I thought of the swamp behind it, where we would hop from tufts of grass to tufts of grass… and where I felt as if we had passed into a hidden world that nobody else knew of. I thought of the dense vegetation in an area on the campus of Dean Junior College, where we could slash out caves in the thicket. I thought of the amazing “Green Beret” fort that we made in the loft of a friend’s garage. I thought of all the old barns we used to explore on properties where the family had no use for them (one time we had to hide when the owner unexpectedly came into the barn for a spell). And I thought of a “green submarine” that we were able to make out of a giant fallen spruce tree across the street from my home (the limbs kept the trunk off the ground just enough so that we could make tunnels in between them). 

As I grew older, that imagination became increasingly difficult to maintain. But on occasion I would be pleasantly surprised to find myself there again. Most often this happened at concerts (as I reflect now, this is likely a big reason why I’ve attended so many). The mind can go to wonderful places at live music shows which has proven to be much more difficult to pull off otherwise (although I must say, on a drive earlier this week, with Revolver blaring out of the speakers, I came awfully close).

Ringo Starr and his All-Starr Band performed “Yellow Submarine” as the 3rd song on their setlist during that joyous Great Woods show in 1989. And as they played, Ringo did his goofy Ringo routine as front man. Fred and I laughed. Yes, we were laughing at him to a degree. But down deeper, we were laughing more with him. Ringo Starr was sprinkling imagination on us that night.  He was taking us on an adventure. He was collaborating with us. All we had to do was listen, and the childhood magic flowed from there.

- Pete

Saturday, May 23, 2020

Fab Foundations # 21: “A Well-Covered Ditty”

(Personal reflections inspired by Beatles songs)

Song: “Yesterday”
Album: Help!
Release Date: August 1965

I’m sure everyone reading this blog (thankyou by the way) has come up with new twists to their daily routines these past few Covid months, including my Dad, who has taken on jigsaw puzzles, and my brother who is upgrading his newly purchased cottage in Connecticut. A novel routine here at home during this stretch has been Sunday night as movie night. Nancy and I alternate weeks choosing a movie, I search for it on Redbox or some other online rental outlet, and away we go. 

Movie watching is not something my wife and I do a lot of. Exhibit A: We average about one movie a year at the theatre, which is relatively reflective of our low-end movie watching at home. You could chalk this up some to procrastination, seeing as, for the longest time, neither of us put any effort into updating our DVD player with HDMI cable (for flat screen), or into searching out those aforementioned online options (Redbox was a nice recent discovery because they don’t force you to commit to monthly charges…. just sign up and pay per view). 

The tipping point for putting movie watching on the faster track during this freaky pandemic has been not having our favorite pastime to turn to for the time being (hopefully); that being live music events. This void helps to explain our choice of movies these past Sunday evenings, many of which have been music documentaries. These glorified music videos include I’m Not There (a fascinating Bob Dylan biopic where 6 different actors play the part of 6 Dylan personas), Twenty Feet from Stardom (about all those great female backup singers who tour with some of the most famous bands of our times), Once Were Brothers (Robbie Robertson’s recent take on the triumphs and tragedies of his band, The Band), and most recently The Quiet One (Bill Wyman’s museum-esque archive-to-life documentary about his life with the Rolling Stones). All of these films are recommended for you music lovers out there.

Another music-centric movie we watched recently was Yesterday, a fictional account of what it would have been like if you were the only person in the world who had ever heard of the Beatles and their music. It’s a pretty clever film, but not beyond the reaches of our own imaginations in this regard (at least mine). Here is my attempt at summarizing the plot:  

Soon after a cosmic event, a struggling musician plays “Yesterday” to a group of friends on his guitar (very well I must say). He is taken aback when they tell him it’s magnificent, because in the same breath, they ask him how he came up with such a beautiful song. He replies something to the effect of ‘yeah, well Paul McCartney was quite gifted, don’t you think?’, whereby they ask who that is. This struggling musician thinks they are joking. Later that night he goes on Google and can’t find anything on “Beatles”.  Beetle bugs show up, as does the car of a similar name, but nothing on the most famous band of all time. The movie takes off from there, whereby the main character rolls out one Beatles song after another to his audience (without revealing the source). He soon becomes famous. The inevitable guilt settles in tough, which ultimately plays itself out.

One scene in the film kinda took my breath away near the end, but I’m not going to say anything more than that, other than that I recommend Yesterday, if only for all the great music you get to hear and reflect on.

It’s been uniquely pleasing to be on this recent roll with movies (albeit the primarily music-related ones I’ve discussed, which are close to the heart by default) because I’m not easily pleased when it comes to this media. Some people are overly critical of music. With others it can be food or wine or… people. With me, its movies. Typically, the film has to be one of those Siskel and Ebert ‘two thumbs way up’ reviews for me to even give it a fighting chance.

But there was a period in my life when I risked it with movies…. ‘made for TV movies’, that is.  That period was the mid to late 70s, before I made a full break from the couch and embraced night life. Case in point, I watched all of the Roots (1977) and Holocaust (1978) miniseries’ when they first came out, which, I must say, was a commitment. Being a young teenager, those 2 miniseries were very impressionable on me.

So too were the random late night movies I watched during that period of my life. One of those made-for-TV movies that I vividly recall was The Morning After, which came out in 1974 and starred Dick Van Dyke. Van Dyke plays the role of a family man whose life spins out of control because of his alcoholism. I’ve not seen the movie in the 46 years since then, which speaks to its enduring effect on me. As was the case with Roots and Holocaust, what was powerful about this film was that there was no silver lining. No happy ending. It was stark and truthful, and well-acted. The Beatles “Yesterday” is played in the background during several poignant moments in the film. The music drives home the plight of the protagonist just about as good as the acting of Dick Van Dyke himself (who later admitted that his acting was not far from the reality of his life at the time).

To this day, I think of The Morning After when I hear “Yesterday” (Side note: Is that sentence a mind-expansion oxymoron or what? I only picked up on this when I reread it). Even now, after the far more recent movie release I just reviewed (Yesterday -which used the song-name for its title for goodness sakes!). I believe the big reason for this was that I was just getting into the Beatles around that time, which was spurred by my parents purchasing the “Red Album”, on which “Yesterday” was discovered on side 2 by this rapidly-evolving Rock and Roll fan.

It all fit together. The song hit me hard off the disk first, and immediately after, the movie soundtrack gave it even more substance and context. It was a one-two punch. This was all at a time when my young developing mind was just then finding itself ready for the real world. In hindsight, the movie and song prepared me to take a deep dive into those 2 historically-tragic miniseries soon thereafter; Roots and Holocaust. In hindsight, The Morning After the movie and “Yesterday” the song were also preparing me for so much else.

“Yesterday” (https://www.youtube.com/watch?v=NrgmdOz227I) is one of the most covered songs of all time. Why?  Because it’s an amazingly succinct song-statement that hits at the core of our broken humanity. As stated earlier, it was not long after that late-nite, movie-watching stretch of mine that I would be alternatively venturing out into the night world. This was the real high school experience in the 70s, and although I would get to be a part of so many truly wonderful things in those exploits, I would also begin to witness some of what is the dark underbelly of life; the occasional broken family, and the effect that broken environment could have on a few peripheral friends of mine. As the years have rolled on, I have come to the realization of just how hard that weight could be for those old friends to surmount. Yesterday seemed always a bit out of reach for them.

Earlier today, as I zeroed in on talking points for this entry, I found myself singing aloud the lyrics to “Yesterday” as I drove alone in my car; no radio, no music at all. While I did this, I thought ‘hmmm… not bad’ (my vocals).  It all just sort of rolled out as easy as pie and sounded pretty melodic to these ears in the process (if I do say so myself). I’m thinking now though (as I write) that it is simply one of those rare tunes that comes naturally to the singer, be they professional or otherwise. In other words, I don’t think I’m alone here (as evidenced by how much this song has been covered). I believe that “Yesterday” is a song all of of us can relate to, and when you can relate to a song that strongly, you can sing it.

Try it sometime (particularly if you have never done so). You might be surprised at how good your vocals sound to your own ears, and how easy it is to nail it. You may or may not be surprised at the sentiments that well up inside as you do so.

Pete

Saturday, May 16, 2020

Fab Foundations # 20: “The Grace in Passivity”

(Personal reflections inspired by Beatles songs)
Song: “Two of Us”
Album: Let It Be
Release Date: May 1970

Early in my career with the US Geological Survey (~ 30 years ago), office management was approached by the Cape Cod Commission – the principle environmental regulatory agency on Cape Cod Massachusetts, and a familiar cooperator at the time - to see if the USGS could develop a way to map the Cape for potential public groundwater-supply-well locations for drinking water. In turn, office management approached me because I had the digital-mapping (GIS) experience to lead such an effort. Over the next 3 years I worked on the project part time and devised a screening overlay process in GIS to essentially mask areas - based on factors such as landcover, hazardous waste, and saltwater intrusion zones - with a ranking scheme from least favorable to most. Quarterly meetings with the cooperator were always gratifying as I could sense they were pleased with developments.

About halfway thru the project, a hydrologist was hired to assist me. With an education more suitable for surface-water studies, her groundwater-hydrology knowledge was limited, but fine enough for the general understanding of groundwater movement that was needed to round out the project objectives (my formal education did not include hydrology). We collaborated well together. My primary focus was to teach her aspects of what I was doing. This was necessary since 1) GIS consisted of a vast majority of the project workload and 2) I was multitasking on other projects, which made it a struggle to deal with all the short-term deadlines related to data development on my own. What was most ideal about the arrangement, however, was that the new hire (who was rapidly becoming a friend) showed a great aptitude for GIS and appeared to enjoy learning it.

When it came time to write the report, my project partner took the initiative. I was happy for this development, because frankly, technical writing was not my forte (I still struggle with it, to this day). However, because the core of the report would have to describe what I had dreamed and schemed up over the course of those 3 years, my colleague needed my input. I gave it to her in my own unique writing style. She then edited and weaved my feedback into her narrative. 

One day near the end of the project, the associate director called me into his office. He had the draft manuscript in his hand, which he was reviewing. He asked me why I was not listed as the lead author. After chewing on his question for a moment (he surprised me with it) I told him that my partner wrote the bulk of the report, and that I was fine with the situation. He then said something to the effect of: “But you came up with the key ideas, you wrote the programs, you gave most of the presentations, and you designed the final map plate. You are the visionary. You deserve to be lead author.”  He then asked me to contemplate this some.

I did contemplate, but in the end, never acted on it (other than asking my co-author to remove text from the report’s announcement letter that referred to her as “principal author”, which probably touched a nerve, seeing as we never collaborated again in the 2 years that she remained in the office). In the grand scheme of things, I was simply not compelled enough to make a big deal of the matter. Besides, the authorship status was a nice way for my colleague to launch her career. I already had a boatload of momentum in this regard. It was a wrap in my mind, and I was already on to the next best thing by the time the report was published.

I had reflected on that memory very little in the past 25 years. But as I struggled to think of a way to broach my talking points this week regarding the Lennon/McCartney songwriting team, it all came flooding back. 

What made “Lennon/McCartney” work so well? I don’t believe it could have been better if they authored songs individually, nor do I think it would have been better if the songwriting credit read “McCartney/Lennon”. Why?  Because you can’t get much better than what the Beatles did in the decade they worked together. That’s the easy answer. For the remainder of this entry I’ll take on this premise in more detail in order to make things harder on myself (hey, that’s what this blog site is all about).

Partnerships. Collaborations. Success. Credit. Recognition. These are abstractions all of us can relate to, which is why so many of my generation (and other generations) can relate to the Beatles. Their story covers the gambit with these terms. And at the heart of it all is the “Lennon/McCartney” partnership.

The mystery of a songwriting partnership is so much deeper than songs that have an individual credit. You find yourself asking questions like; who came up with the seed of the idea? The tempo? The best lyrical lines? The chords? How did the song evolve as it bounced between the songwriters? Who was the impetus when it all gelled? Some of this is easy to decode with the Beatles, seeing as a vast majority of the songs that John Lennon sings originated with him. Same for Paul McCartney. From there, it gets a bit more interesting in terms of who contributed what to any given song, but generally in the case of “Lennon/McCartney”, the singer is the “principal author”. 

However, this factoid is not what I’m really driving at in this entry. It’s been covered ad-nauseam (one of the reasons it took me so long to get to the Beatles on this blog site was that I was intimidated by how much has already been written about them). I’m seeking more of the “why” here than the “how”, which may help to explain how I have approached collaborations in my own life story, and maybe that of others too.

Every endeavor with a partner will find one person being more passive, and the other being more aggressive (however lurid or subtle that aggression may be). The roles may switch over time, or maybe even oscillate back and forth regularly, but there will always be that element at play. I don’t care if it’s a songwriting team, a scientific team, or a marriage. That’s just the way it is.

On the surface, the two roles may not appear to be of equal importance. After all, does not the aggressive role dictate the results in any particular endeavor? Ahh, but there is much more to the role of passivity than meets the eye. It’s like the Id (primitive, instinctual) and the Super-Ego (moral conscience) sides of our persona. These can actually be amazingly complimentary. To take on the role of one or the other at any given time, depending on the circumstances, is what makes us dynamic.

The credit that is “Lennon/McCartney” started that way because John Lennon formed the Beatles, making him the de facto leader. But through the years, he would see that leadership usurped by Paul McCartney for large chunks of time. “Yesterday”, “Let It Be”, “Hey Jude”, “The Long and Winding Road” …. these are all McCartney tunes. I for one do not think that Beatle Paul could have written such enduring iconic music without taking on that aggressive leadership mantle as he composed.

But what was equally as important was what John Lennon did during these prolific-Paul periods. Lennon slipped out of his aggressive, dominant persona in the band and became relatively passive. Here lies the secret to a thriving relationship: When you knowingly or unknowingly realize when it’s time to pass that baton for a spell. If there is any insight that I have gained thus far in my Fab Foundations exploits this year, this Lennon-acceptance-of-role-reversal is it. His willingness to step out of his Id and Paul McCartney’s ability to step into his (and vice versa) is the ‘grace’ factor in what separated the Beatles from so many other bands.

At the same time, Paul McCartney was willing to retain second authorship throughout the entirety of the Beatles as a working band (even on those 4 aforementioned masterful songs that John Lennon had very little involvement in), which was beautifully passive as well. Throughout his career, McCartney has always come across to me as a leader, to the degree that it has been difficult for me to understand how he functioned in an equal-member band environment. I suppose the same thing could be said about Lennon. But McCartney took it a step further than Lennon, because he was accepting of that second author position. Perhaps this was why it was so hard for Paul McCartney when the Beatles broke up. John Lennon brought a passive quality out in him that otherwise was buried deep inside. “How else can I tap that” is an internal voice he must have feared at some level.

Many writers (including myself) have focused on the melding of musical styles and attitudes that made the “Lennon/McCartney” partnership so successful, and rightfully so. But this Id/Super-Ego dynamic between the two, this back and forth, aggressive/passive, front-seat/backseat role reversal, has not been covered nearly enough.

Paul McCartney’s (or should I say “Lennon/McCartney’s”) “Two of Us” encapsulates this partnership ( https://www.youtube.com/watch?v=cLQox8e9688 ).  When this song was written near the end of the Beatles story, McCartney was trying to rekindle an amazing dynamic, or at least reveal the magic behind it.  We would all be so fortunate to be in such a position; to be involved in a wonderfully successful partnership venture, knowing the times when it is appropriate for our role to be an aggressive one, but more importantly, to know when it is not.

Pete


Saturday, May 9, 2020

Fab Foundations # 19: “Mom’s the Word Redux”

(Personal reflections inspired by Beatles songs)

Song: “Your Mother Should Know”
Album: Magical Mystery Tour
Release Date: November 1967

Note: The bulk of this entry was written for my very first blog series way back in 2008-09. I titled that series “Gem Music Video of the Week” (GMVW) and the entry I refer to here was # 70, which was written for Mother’s Day, 2009 (all of the GMVW entries can be found on this blog site if you scroll through the subsequent series’ to the beginning). I’ve made a handful of minor modifications to that entry here in order to bring that 11-year-old writeup up-to-date (including several of the music-video links, which had broken). I’ve also tried to make a few of the talking points clearer. But all in all, I’ve mostly tried to keep the spirit of that entry alive by minimizing changes. And so, without further ado:

Remember those old Dean Martin roasts?  A celebrity would spend a night on the butt end of a relentless barrage of jokes from fellow entertainers. The abuse was piled on at an almost ruthless pace.  Eventually Ruth Buzzi herself, acting as a jilted lover, would come out and repeatedly bash the poor sap over the head with her pocketbook. The humiliation was complete. Mission accomplished. 

When a retirement party was held in my Mom’s honor a number of years ago, I knew there was going to be plenty of well-deserved praise from others, so when I prepared my speech, I figured I would try to follow in the footsteps of Dean Martin and his merry pranksters by sprinkling in a bit of roast material at Mom’s expense. Part of this was self-preservation; me not wanting to get too emotional by simply focusing on Mom’s countless positive attributes. I pondered and pondered some more about what to say and came up with nothing, nada, zip. In the end, I broke up parts of my praise-centric speech of Mom by roasting myself. It worked. I got through it.

Roasting my Mom? How could I even contemplate this as possible?  I mean, shouldn’t I have assumed that our loving mothers are virtually impossible to roast? You may pull it off for just about anyone else in your life, but not your mother! Too many memories of self-sacrifice and caring; of staying with you deep into the night when you were sick; of attending all your big events; of being there for EVERYTHING. In short, too much love to give you any chance of coming up with so much as a morsel of roast-able material.

Here we are on the cusp of another Mother’s Day. Time once again to recognize our mothers and all they have done (and continue to do) for us. This year the big event falls on May 10, which happens to be the 50th Anniversary of the day Bobby Orr flew through the air and the Big Bad Bruins won the Stanley Cup for the first time in 29 years. On that day a “Happy Mother’s Day, Mrs. Orr!” sign was swaying in the Boston Garden rafters. It gave all of us young Bruins fans a stronger sense of the communal importance of this special occasion. Side note: When I originally did this writeup in 2009, Mother’s Day also fell on May 10. I had to modify the previous few sentences to bring them up to date, but it was pretty darn cool when I came to the realization that I had a triumvirate of May 10 Mothers Days (1970, 2009, 2020), allowing me to keep the gist of those sentences intact.

Since this is a music-driven forum, I must include a few thoughts on my Mom’s musical influences on my life. There was Mom singing “Rise and Shine” (“and ring out the glory, glory”), which woke us up more often than I care to remember. These and other memories of Mom singing in the house reflected the spirit by which she raised her family, allowing us to pass that spirit on to our children. There was Mom’s purchase of the Beatles “Red Album” when I was not quite yet a teen, which I would play over and over, and in the process get early doses of my future rock-music sensibilities. There was Mom and her 10 siblings singing around a piano every year at the family Christmas Parties.

I could go on and on, but this week (or rather, 11 years ago this week), I’m getting help, with reflections of Mom and her musical influences from my siblings, Jen, Pat, Fred, Amy and Joe (in that order). Joe brings up the rear, because his input includes links to a number of memorable songs, which will easily take you somewhere else. I had planned on including a few add-on links myself, but Joe covers this and then some.  My only link is this week’s song inspiration, which is none other than the Beatles performing “Your Mother Should Know” ( https://vimeo.com/238252381 ) from The Magical Mystery Tour movie (which I plan to review in a few weeks). I’ve sent this tune to Mom every year since 2009 (a few times at her bequest), which made it one of the easiest song choices I’ve ever made for a blog entry.

Before passing the baton to Jen, a Happy Mother’s Day wish to all you great Mom’s out there. I’ve seen many of you in action over the years and have always been impressed with how you do what you do. This mental list of course includes my wife, Nancy, who amazes me with her motherly ways…. but that’s a promotion for our son and daughter, Peter and Charlotte, to make the case for this weekend (they have already started). This mental list also includes the Mothers who have passed on from us, whose sons and daughters are included in the email-reminder blasts I send out weekly. Those Moms include Anastasia Smith, Geraldine Steeves, Ellen Smith, Bonnie Gilligan, Louis Hedtler, Sandra McDermott, Insook Choi, and just this past year, Nineen Mello, Millie Shea, and Sylvia Rose Carney. (I’m sorry for anyone I may have missed).

And lest I not forget Julia Lennon, Mary McCartney, Louise Harrison and Elsie Starkey, who gave us the Fab Four!

My siblings take it over from here:

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Jen:

In my mind, music and domestic, family-life go hand in hand. Dale grew up similarly, so it's no surprise that our household together now, more often than not, has somebody's music playing, especially during our down/leisure time.

In the early years, I recall the music of the crooners and swooners that young couples of Mum and Dad's generation enjoyed: Andy Williams, Perry Como, Tony Bennett. I associate their timeless songs with a fun, comfortable and secure childhood. And there was the music of so many Broadway shows and musicals that I now have such a fondness of, and even have on my playlist. Songs from Camelot, Sound of Music and Jesus Christ Superstar, to name a few.

As Queen of our household while we were growing up, Mum kindled a sort of "freedom of choice" with our music preferences and tastes. And among the six of us, we each developed and cultivated a unique foundation of faves and interests. As a teen, I discovered the magical power of idols that were David Cassidy, Bobby Sherman and Olivia Newton John. And interestingly enough, I played them without complaint from anyone! My tastes evolved through the pop and rock hits from my adolescent and teen years and spread into mostly 70's rock.

Mum sang along to songs on the car radio, often making up entertaining lyrics as she went, if she didn't know the words. Or even if she did. And remember her car-exercises to "The Entertainer"?

Finally, my favorite memory of Mum-and-Music is a recollection I have of a hospital visit to Boston with her one day, when I was sick with my kidney problems. We had many day-trips into town together, to Floating Hospital. I recall being on a sidewalk with her that was along the wall of a building which had show stuff painted on it, and in big letters, "There's No Business like Show Business". Mum took my hand, and danced/strutted up the sidewalk with me, singing the quote to tune. I wish I had a video of it.

Happy Mother's Day, Mum! Love you!

xo JEN

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Pat:

Memories of Mom and music put a smile on my face.  My first Mom music memory is heading out to the grocery shop with Mom in the VW wagon before I was going to school.  Some of the tunes on the air waves those early '70's days were Neil Diamond, lingering Beatles, random hits like "Brand New Key", K-Tel hits, and too many more to recall.

Other memories are snickering with Amy/Jen when Mom would sing the lyrics to some songs with her own rendition - habits which carried over to me as my friends would return the favor of abuse. Also, when Mom disagreed with a certain Marvin Gay song titled "xxxual Healing".

As with many things for which to thank Mom, I thank her for adapting my love of music!

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Fred:

Watching Mom sing in the St Mary’s choir (I can’t say I heard her, but assumed she was the best voice) gave me the notion that maybe I, too, had some lyrical talent. It wasn’t until I saw our cousins, the Gilligan’s perform ‘Guantanamera’ that I abandoned hope of pursuing that hobby. But she did provide frequent encouragement to listen to music in our living room on the very large music system we had.  I think it was made by Phillips; with a turntable and receiver, and two built in speakers which I thought was the coolest piece of furniture any home could have.  The ‘Bossa Nova’ was a Mom-favorite, but the two early albums that she loved to listen to, and that I most align with Mom were Neil Diamond and Sergeant Pepper’s Lonely Hearts Club Band. 

When I hear “Sweet Caroline” played at Red Sox games, Mom comes to mind, and to think she was first in all of Boston to like that tune.  As for SPLHCB, I think Dad bought that album for Mom for the main purpose of listening to “When I’m 64”.  I never thought they (we) would ever get there…….

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Amy:

Where to begin?  I can't say that I have a memory from my childhood that isn't in some way attached to a song. When it came to listen to Mum sing in the car or in the kitchen, I became a sponge, learning every lyric and tune. I loved when Dad would chime in to a classic too, and together they'd try to remember all the words. They still do this. Mom introduced me to the magic of the Musical at a very young age: Camelot, The Sound of Music, Jesus Christ Superstar, West Side Story, South Pacific, Annie. Her favorite music became my own. I was swept up with the fantasy world of Musical Theatre, so much so, that it became my major in College. Without the carefree confidence that Mum instilled in me, I would never have been able to share my voice with anyone but myself.  The two go hand in hand. Music has always been a natural part of my life. I can't cook, paint or exercise without music.  I just downloaded "Charlie on the MTA" on my ipod.  That's you Mum.

I remember one night very clearly.  Mum encouraged me to go tryout for the part of Liesl in the St. Mary's Production of The Sound of Music.  I was apprehensive, as it was the second night of auditions; I had already missed the first night. I got the part. The experience stays with me, to this day. 

I'll end with this (which you also taught me)

M are for the million things she gave me

O means only that she's growing old

T are for the tears she shed to save me

H is for her heart as pure as gold

E are for her eyes of love light shining

R means right, and right she'll always be

Put them altogether they spell Mother. 

The world that means the world to me.

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Joe:

Some great memories of M&M (Mom & Music) growing up....below are only a few of the many memories that play back in my head when I hear the song.....

Hanging out in the kitchen on Park Road with Mom and cousin Emmet eating breakfast before we headed out to chip away at the ‘mountain’, hit home runs at Dean into the tennis courts, throw rocks at Thompson Press, head to Friendly's for double fribbles, or play monopoly 1000 times, we sat at the counter eating eggs on toast and this song would be playing -

“Forever in Blue Jeans” - Neil Diamond

http://www.youtube.com/watch?v=QQLWF_ItzYs

I played this song so many times that Jen couldn't take it any more...or maybe it was eating the popcorn too loud.  Either way, Mom always encouraged us to be ourselves and we had a childhood that most kids would be envious of.  This song reminds me of those great childhood days -

“Only the Good Die Young” - Billy Joel

https://www.youtube.com/watch?v=ERWREcPIoPA

As the day came to a close and the early evening started up in Lee, NH, at the campground overlooking the lake, we would be getting ready to head into the woods to find some wood for the campfire that night.  It didn't matter how big the tree was, it was coming down.  As Mom got the camp site ready for the evening, this would be playing on the radio -

Creedence Clearwater Revival – “Fortunate Son”

http://www.youtube.com/watch?v=ec0XKhAHR5I

When Aunt Ginger passed away, this is the song that carried her thru it all. I think about Mom every time I hear it.

“Wind Beneath My Wings” - Bette Midler (from Movie -Beaches)

https://www.youtube.com/watch?v=0iAzMRKFX3c

Heading down the Cape in the Volkswagen bus early in the morning on our way to Falmouth, Mom would be sitting in the front seat turning up the music because it was "all day Beatles music" on the radio.  As we hit the entrance to 495 heading south early in the AM, this would be on the radio -

The Beatles – “Here Comes the Sun”

https://www.youtube.com/watch?v=KQetemT1sWc

Happy Mother’s Day Momzo. – Joe

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Yes, Joe, I second that emotion.
Happy Mother’s Day, Momzo. We Love You, Pete