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Thursday, October 15, 2009

GMVW # 93: "Keeping the Faith (the 70's)"

Gem Music Video of the Week # 93:  Keeping the Faith (the 70’s)
Song:  Hollywood Nights by Bob Seger 
(Songwriter: Bob Seger)
October 15, 2009

After years of high-octane stimulation, a large contingent of paranoid hippies ‘dropped out’ and headed for the hills in the early 70’s, where, as Dennis Hopper once explained “at least you could see ‘them’ coming”.  But those who stayed put, particularly the minority who remained in touch and aware, had an opportunity to reap the benefits of what their era had sewn.  Where in the 60’s the music was simply another part of the scene, in the 70’s the music was the scene.  New Rock musicians and their fans had realized what had taken place the decade before, and although not part of it, had learned to appreciate it far more than those who were actually there.  The result was a mostly positive evolution of the music and the culture that surrounded it.  I was lucky to be a part of it.

Although I was the oldest in my family, I had several friends who were not.  This was particularly the case with good friend, Bruce Nicholson, who was the youngest of five.  Early on in our friendship, when visiting his rather large 3-floor home in the mid 70’s (which has since been converted to Dean Jr. College dorm rooms) it became clear to me that Bruce was growing up in a different world than I.  Bruce’s brother and sisters had moved on to university and beyond, leaving much of their memorabilia behind.  What they left in those bedrooms told a story. 

The 3rd floor was the cornerstone, with one very large room, another smaller, and attic space. As far as I could tell, the entire floor remained off limits (by design?) from Bruce’s parents (Mrs. Nicholson, in a heavy German accent, would try and yell above the music from the bottom of the stairs when announcing my arrival, often futilely).  There were psychedelic posters on the walls; beads for doors; lava lamps, pillows, incense, and ceiling carpets for décor; Rolling Stone Magazine(s) in piles on the floors; and ‘paraphernalia’ of all sorts in the drawers.  Let me put it this way: If the Rock and Roll Hall of Fame really wanted to do a showcase on 60’s Pop Culture, they would have extracted that 3rd story from the Nicholson home and placed it smack dab in the middle of the museum.  Along with all that memorabilia, Bruce’s siblings left behind a great stereo system with powerful speakers, and an amazing collection of records, including great albums by The Kinks, Janis Joplin, Jimi Hendrix, and ELO:  An informal education to say the least.

One great thing about growing up in the 70’s was that our generation did not try to start from scratch.  We built on top of what came before us (mostly positive, some negative). In many ways, it was about keeping the faith. This is not always the best route to take for a generation, but in this case, it was.  The 60’s had taught us the meaning of Carpe Diem, and we did just that for the most part.  I still remember stepping out into the crisp autumn evening after dinner during my high school years.  Often the night moves ahead of me would hold mystery and wonder. The electricity in the air was palpable.  You could cut it with a knife.

The top-tier music of the 70’s was solid, much more so than it gets credit for, and this despite Wall Street being forevermore enticed by Rock not long after the decade rolled in (we can thank the enormity of Woodstock for that).  At the time, however, an appreciation for the music required a certain youthful innocence, which many in the prior 60’s generation had lost by then.  That appreciation has remained to this day, as for the most part we have remained the torch bearers.  Think about it: When you go to a Rock show today, the elder statesmen in the crowd are mostly children of the 70’s, not the 50’s or 60’s.  For many, the music remains a matter of life and death.

And so, during those formative years, we got to discover and enjoy not only the 60’s music, but our own new music as well, and have it all to ourselves for a time.  And with many in that prior generation continuing to make great music throughout the 70’s, we had quite a treasure chest to dig through: Too much for one lifetime.  Strangely, I’ve always been content with the fact that I’ve only scraped the surface, to know there’s something there for the taking whenever I so choose. 

Although not a full blown counter culture, the 70’s had its fair share of rebels.  Looking at a cross section of kids in my graduating class is enough to come to this conclusion.  The confines of Franklin were too stifling for many of them to handle, and a number, to use a Jeff Strause phrase, ‘got the hell out of Dodge’ as soon as they could, leaving any thought of college in the dust, at least for the time being.  I remember ‘California’ being a big buzz word, and numerous Mullaney’s, Lanagan’s, and Willard’s hit the highway for greener pastures.  Their free-spirit decisions impressed me as much as the classmates who were receiving full scholarships for academic achievement.  I sometimes wonder what became of them.

Music was almost a religion to many musicians during this period.  One of them was Bob Seger, and you can see it in his body language and his face during a viewing of this week’s Gem, ‘Hollywood Nights’.  In the mid-80’s Nancy and I were driving through the Hollywood hills on a beautiful afternoon, when this song came on the radio.  We turned the music way up, each of us taking in the bygone innocence of our younger days as we savored the coincidence of the moment.  Nancy had her class rebels too and we both could relate, since we, like many of our era, had a bit of it in us as well. 

How else can you seize the moment?

As promised, below is a top list of ‘Great Album Names’.  Below these is the Gem video and several other 70’s music clips.  Below those are the lyrics to ‘Hollywood Nights’.

Next up: The 80’s and ‘Great Band Names’.  Input is welcome.

Keep on Truckin

-              Pete

Great Album Titles
1 ‘Katy Lied’ (Putting to rest the ceaseless argument carried on over our heads during summer evenings)
2. ‘We’re only in It for the Money’ (Sometimes, a little cynicism helps raise the bar a few notches
3. ‘Never Mind the Bullocks’ (Repeat # 2 above)
4. ‘All the Best Cowboys Have Chinese Eyes’ (Clint Eastwood still tears up over this one)
5. ‘More Songs about Buildings and Food’ (I’m still searching for the prequel)
6. ‘Shaved Fish’ (A perfect title for a greatest hits album)
7. ‘Who Are You’ (This is not a question)
8. ‘Oops!...I did it again’ (And again, and again, and again….)
9. ‘Blood on the Tracks’ (An image that sticks throughout the listening)
10. ‘Dark Side of the Moon’ (Why did it take so long for someone to corner the market on this title?)
11. ‘Surrealistic Pillow’ (The 60’s summed up in two words)
12. ‘I’ve Got My Own Album to do’ (Going solo has rarely been declared quite as bluntly)
13. ‘Trout Mask Replica’ (Riddle me this)
14. ‘Everybody Knows This is Nowhere’ (Taken to heart by many-a graduating senior in the 70’s… read above)

Jack contribution:
‘Don’t Shoot Me, I’m Only the Piano Player’ (But see that guy over there?  He’s our drummer)

Gem Music Video ‘Hollywood Nights’

T-Rex ‘Get It On’

Jackson Browne ‘Running on Empty’

Patti Smith ‘Because the Night’

Led Zeppelin ‘The Ocean’

The Knack ‘My Sharona’

ELO ‘Mr. Blue Sky’

Elvis Costello and the Attractions ‘Oliver’s Army’

Bruce Springsteen ‘Born to Run’

Warren Zevon ‘Excitable Boy’

‘Those Are People Who Died’ by Jim Carroll (who just recently passed away himself)


‘Hollywood Nights’ lyrics

She stood there bright as the sun on that California coast
He was a midwestern boy on his own
She looked at him with those soft eyes,
so innocent and blue
He knew right then he was too far from home He was too far from home
HE WAS TOO FAR FROM HOME

She took his hand and she led him along that golden beach
They watched the waves tumble over the sand
They drove for miles and miles
up those twisting turning roads
Higher and higher and higher they climbed

And those Hollywood nights
In those Hollywood hills
She was looking so right
In her diamonds and frills
All those big city nights
In those high rolling hills
Above all the lights
She had all of the skills

He'd headed west 'cause he felt that a change
would do him good
See some old friends, good for the soul
She had been born with a face that would let her get HER WAY
He saw that face and he lost all control
He had lost all control

Night after night, day after day, it went on and on
Then came that morning he woke up alone
He spent all night staring down at the lights of LA
Wondering if he could ever go home

And those Hollywood nights
In those Hollywood hills
It was looking so right
It was giving him chills
In those big city nights
In those high rolling hills
Above all the lights
With a passion that kills

In those Hollywood nights
In those Hollywood hills
She was looking so right
In her diamonds and frills
All those big city nights
In those high rolling hills
Above all the lights
She had all of the skills


About the Video: Live Seger (in Boston, as he states at the beginning of the song), circa 1979 (perhaps?)

Video  Rating: 1


Best Feedback: Kippy

Good one Pete!  Love Bob Seger.  Have a great weekend.

Thursday, October 8, 2009

GMVW # 92: "A Quantum Leap (the 60's)"

Gem Music Video of the Week # 92:  A Quantum Leap (the 60’s)
Song:  Fortunate Son by Creedence Clearwater Revival 
(Songwriter: John Fogerty)
October 8, 2009

No one disputes that the 1960’s were a tumultuous and contentious period.  The breadth of opinions, ranging from praise to disdain, on the 60’s counter culture and its influence on subsequent generations bares this out.  But set aside for a moment the powerful images of the time: Vietnam, protests, peace, hippies, drugs, and assassinations.  Strip the decade down to nothing but rhythm and beat.  What you are left with is a massive bounty of magnificent music.  And although revolutionary in and of itself, the music also defined the era within which it took place, just as much if not more so than how much that era defined it.  Rock music of the period was a quantum leap from what preceded, and on its own will forever thwart any attempt at historical revision of the times and their full meaning (good and bad).  The music is that good.

So, what is the historical meaning of 60’s Rock n Roll and the counter culture that produced it?  For one thing, it’s one of only a handful of periods since the Middle Ages that the West has experimented to any major degree with the non-materialistic philosophies reflective of numerous Far East ‘isms’.  It was also an attempt to connect with Native American culture:  A back to nature lifestyle that brings out individual skills and talents most of us will never know we have.  And although the period would ultimately produce at least as many hypocrites as long-term devotees, it would leave its mark.  Detractors would say it was a radical mark, and when factoring in the drugs and anger, it did indeed get to that point at times.  I suppose that’s what those three aforementioned assassinations can do to an idealistic youth movement. 

Despite the contrarian position of many I respect, I tend to think of the era in a somewhat positive light.  I believe that by bucking established norms, the counter culture forced prior generations to look in the mirror and reevaluate (think: Archie Bunker).  Some hippies likely made their WWII generation parents proud in the long term.  Every so often the establishment needs a good internal kick in the ass.  It’s the only way to counterbalance the tendencies of a successful world power from becoming too bloated, wealth skewed and self centered.  Internal (and peaceful) rebellion against a powerful minority can help to stave off the inevitable fall of great empires.  Historically speaking, the mostly non-violent peace movement of the 60’s was just another example of democracy at work, and hopefully the backlash (which continues to this day) will not induce a premature Tiananmen-like squelching of something like it from ever happening again if the need so arises.

My memories of the 60’s have little in common with the broader reality.  Like most of us, I grew up in a small town (at the time) beyond the suburbs, sheltered from the upheaval going on in cities and on campuses.  One memory of world events does stand out however: I recall thumbing through one of Dad’s Time magazine issues (or was it Life?) and seeing horrific images of what was happening in Vietnam while understanding that these events were not of the past, but of the (then) present. Other than that, I have little to reflect on.  All my remaining memories are personal, of great times with family and cousins (in those days, family and cousins made up the majority of friendships); of Sunday drives, Cape Cod, and birthday parties.

In some ways, the music of the 60’s is similar to other eras:  The lyrics of many songs were about love and happiness.  From here, though, 60’s music branched out all over the place.  What made it most distinct, however, was its songwriter’s signature ability to make classic protest songs.  Musicians of other eras before and after have attempted to write powerful protest music.  Few have come close to capturing the mainstream mood in the way that the collective works of those 60’s songs did.  Amazingly, protest songs in the 60’s were actually commercial successes. They include: Buffalo Springfield ‘For What It’s Worth’; John Lennon’s ‘Power to the People’; The Rolling Stones ‘Street Fighting Man’; CSNY’s ‘Ohio’; The Beatles ‘Revolution’; Bob Dylan’s ‘Hard Rain’; Jefferson Airplane’s ‘Volunteers’; and this week’s Gem, Creedence Clearwater Revival’s ‘Fortunate Son’.

The 60’s were also a period of artistic innovation in pop culture.  Not much today equals the style and originality of the concert posters and album covers that were a part of the story of that decade.  In honor, here’s a short list of some of the best rock album covers of all time, including other eras (any of which can be seen by typing the name in Google images):

1. ‘The Basement Tapes’ (Dylan, The Band, and circus performers in a legendary basement….what more could you ask for?)
2. ‘Sgt Pepper’s Lonely Hearts Club Band’ (What do Lenny Bruce, Marlene Dietrich, Edgar Allen Poe, Marlon Brando, Marilyn Monroe, and John Lennnon, all have in common?)
3. ‘Who’s Next’ (What else do you do when you see a large concrete piling protruding from a slag heap by the highway?)
4. ‘The White Album’ (Minimalism at its best.  Whatever happened to ‘The Whiter Album’?)
5. ‘Terrapin Station’ (As if dancing bears and red, white & blue skulls weren’t enough, now dancing turtles?)
6. ‘Murmur’ (An R.E.M. premonition of future success?)
7. ‘Abbey Road' (an ambulance, a license plate, a preacher, a pallbearer, a grave digger, a cigarette, and out-of step bare feet) 
8. ‘Eat a Peach’ (how better to honor a fallen Brother?)
9. ‘Wish You Were Here’ (Sign here on the dotted line, and please don’t read the fine print)
10. ‘Sticky Fingers’ (Déjà vu for Margaret Trudeau)
11. ‘Nevermind’ (Break them in early)
12. ‘In the Court of the Crimson King’ (You will not win a staring contest with this guy)

Next up: The 70’s and ‘Great Album Names’.  Again, input is welcome.

Below the Gem video are some other classic songs from the 60’s. Below these are the lyrics to ‘Fortunate Son’.

Peace, Brother!

-              Pete

Gem Music Video Creedence Clearwater Revival: ‘Fortunate Son’

Janis Joplin: ‘Little Girl Blue’

Jefferson Airplane: ‘White Rabbit’


Buffalo Springfield: ‘For What It’s Worth’

Cream: ‘Sunshine of Your Love’

The Byrds: ‘Turn! Turn! Turn!’

The Beatles: ‘Strawberry Fields Forever’

The Rolling Stones: ‘Paint it Black’

The Who: ‘Tattoo’

‘Fortunate Son’ lyrics

Some folks are born to wave the flag,
Ooh, they're red, white and blue.
And when the band plays "Hail to the chief",
Ooh, they point the cannon at you, Lord,

It ain't me, it ain't me, I ain't no senator's son, son.
It ain't me, it ain't me; I ain't no fortunate one, no,
Yeah!

Some folks are born silver spoon in hand,
Lord, don't they help themselves, oh.
But when the taxman comes to the door,
Lord, the house looks like a rummage sale, yes,

It ain't me, it ain't me, I ain't no millionaire's son, no.
It ain't me, it ain't me; I ain't no fortunate one, no.

Some folks inherit star spangled eyes,
Ooh, they send you down to war, Lord,
And when you ask them, "How much should we give?"
Ooh, they only answer More! more! more! yoh,

It ain't me, it ain't me, I ain't no military son, son.
It ain't me, it ain't me; I ain't no fortunate one, one.
It ain't me, it ain't me, I ain't no fortunate one, no no no,
It ain't me, it ain't me, I ain't no fortunate son, no no no,


About the Video: Classic video of the band performing live on a wooden stage, circa 1969?  The camera rolls around the stage.  The video is subtitled ‘At the Movies’.

Video Rating: 1


Best Feedback: Tom

I enjoyed this walk down memory (Lady) Lane immensely!

Nice weekend too,

Cuz Tom

Thursday, October 1, 2009

GMVW # 91: "Origins (the 50's)"

Gem Music Video of the Week # 91:  Origins (the 50’s)
Song:  Suspicious Minds by Elvis Presley
(Songwriter: Mark James aka Francis Zambon)
October 1, 2009

Over the course of these weekly Gem Videos, I’ve been accumulating a handful of ‘unreleased’ songs, including several that have been sitting on the shelf for some time now.  Although they were all gem material, I couldn’t think of much to say about any of them, and so they remained in the wings.  However, as I recently looked over this list of leftovers, I realized the majority could be used in a running theme, after it dawned on me that I had at least one song from each of the past 5 decades.

And so, for the next five weeks, I plan on rolling out a gem a piece for the 1960’s, 70’s, 80’s, 90’s and this decade just now coming to a close.  To be clear up front, I will not be proposing that any of these songs or musicians be recognized as the defining blueprint of the given decade (well, maybe one). But each should come across as a fair representative.  In other words, there should be little or no confusion regarding the gem’s generational affiliation. 

I couldn’t help notice that these five decades coincide with the stretch of time most of us, including myself, have been around, which will play into my thinking as I tackle each of these 10-year periods.  With some time to contemplate, I welcome the input of anyone who wishes to share their recollections of any/all of these decades, particularly if the recollection relates to music.  I’ll include ALL comments (and personal gems?) that are sent prior to the posting of that decade’s gem.  But don’t feel on the spot, as I can tackle this solo if need be (and I know these emails sometimes don’t get read until weeks later, if at all). 

I’m also planning on including a ‘Great’ list. These lists will NOT be restricted to that week’s celebrated decade.  For the 60’s week it will be ‘Great Album Covers”; the 70’s will be “Great Album Names”; the 80s “Great Band Names”; the 90’s week will be “Great Song Titles”; and for the 00’s “Great Lyric One Liners”.  Note there is nothing here like ‘great bands’, ‘great guitarists’, ‘great albums’ or ‘great songs’: Too subjective, and not much fun.  Again, I welcome input.

Finally, if anyone can guess a gem over the next five weeks, they get a free lunch (who said there is no such thing?), complete with beverage(s) of choice.  Here's a tip off to narrow the educated guesswork down: All songs have been pretty standard radio play over the years.  Guesses are limited to 3 per person, and can only be made over the days prior to that weeks gem (so, this week, I’ll take choices for the 60’s song).  First correct guess wins for that week.  Hypothetically, you could win five free lunches.  If Steve wins, I may have to make my way to Edmonton; Pat, Ottawa; Bob, Paris; Jeff, Harrisburg; Tina; Falmouth; Jack; South Carolina; Tom, New Jersey; etc.  Yow!

However, before I launch into this running theme, I figured I would set some ground rules… ground-level rules that is.  Hence an introductory gem video is in order here that hopefully gives context and a foundation for what will follow in the upcoming weeks.  First a bit of background (what else did you expect?).

--------
The period of time that predates someone can take on an almost mystical quality, and the photos and film that capture those times can only leave you guessing what it was like to be there.  If you have watched any of the Ken Burns documentary series on PBS, including ‘The Civil War’, ‘Baseball’, ‘The War’ (WWII) and this weeks fantastic release, ‘The National Parks: America’s Best Idea’, these thoughts may ring true. 

Several months ago, Cousin Jack posted a number of prior-generation family photos on Facebook.  The majority of the photos were of the black and white variety, most taken in the 50’s.  Jack’s timing was perfect, as the extended Smith family was preparing for a reunion (a great gathering, which took place several weeks ago).  The photos served as an appetizer for the reunion, giving us all an opportunity to begin connecting ahead of schedule. 

Jack and I have always shared a fascination with our roots.  Our grandparents had 12 children and 57 grandchildren.  Our Moms are sisters.  When we were kids, the two of us used to compete to see who could say the names of our 12 aunts and uncles the fastest.  With the sheer number, there was so much to learn about our mothers family and the families of each of their siblings: Careers, family choices, personalities, faith, education, influences, travels, celebrations, challenges, and the pecking order in age.  We fired many questions at our Moms, and most often they indulged us.

Related to roots, history itself has always been a favorite subject of mine.  Though not the most career-driven of paths, I have no regrets making History my major in college.  Without it (and the equally appreciated Geography degree), I would not have enjoyed half as much the places I’ve been and things I’ve seen.  History helped to give me a sense of purpose, and it gave me perspective.  For example, one great thing about knowing your history is you can readily make ties between the personal and the broader context of the times.  When I looked at those photos Jack posted of Mom in her teens with family, yes, I thought about roots.  But I also connected with the era; what was happening at the time: The Korean War, Dwight Eisenhower, Alaskan statehood, Hungary, segregation, James Dean, Ernest Hemingway, Marilyn Monroe, and Ted Williams among others.

I also thought about the early days of Rock n Roll:  Chuck Berry, Eddie Cochran, Fats Domino, Buddy Holly, and, of course, Elvis Presley.  These musicians were among a short list that inspired virtually all the musicians I have enjoyed from more recent times.  Although difficult to make a connection between Ray Charles and The Clash; Roy Orbison and The Pogues, there is one. The music of the 50’s was the ground-level, the foundation, for all the great Rock music that came after.

I’ve only recently found out that Mom has always been a fan of Pelvis Elvis.  I knew Mom had enjoyed listening to one of his Gospel albums several years ago, but it appears the interest goes farther back than that.  Lucky for me, there’s a song of Elvis’ that rises to the level of gem: ‘Suspicious Minds’.  It’s a song he covered in the 60’s, but since Elvis was pretty much frozen in time all his life (music and style, not age), this does not matter.  The video is of a performance from his Vegas days in the 70’s.  The tempo picks up nicely about half way through. 

Below the Gem Video is Elvis Presley’s studio version of ‘Suspicious Minds’ (a still shot).  Following that are several other great songs from the 1950’s.

- Pete

Gem Video “Suspicious Minds”

“Suspicious Minds” (studio version)

Chuck Berry “Roll Over Beethoven”

Eddie Cochran “Summertime Blues”

The Everly Brothers “All I Have to to is Dream”


About the Video: Elvis in Vegas, early 70’s.  I’m not sure of the year.  Video opens with him drinking a glass of water and voicing the name of the song to the band.

Video Rating: 2


Best Feedback: Amy

Pete,
At the risk of being the nerd in the front row, I have a question.  Do you, right this moment, know what the next 5 gems/weeks will be?  You do, don't you.  Of course you do.  Oh nevermind.

Thursday, September 24, 2009

GMVW # 90 "Youth and Intellect"

Gem Music Video of the Week # 90:  Youth and Intellect
Song:  I Don’t Wanna Grow Up by Tom Waits
(Songwriter: Tom Waits)
September 24, 2009

A fourth Gem via album recommendations is in the books, this one from good friend, Pat Shea.  Pat aimed high, for the top of my list actually (see Gem # 58).  I was hoping someone could steer me in the right direction regarding what Tom Waits brings to the table.  Mr. Shea did so with an enthusiasm that could only come from someone who feels strongly about the subject.  He even sent me a cd:  “Beautiful Maladies: The Island Years” (thanks again, Pat).  It turns out Pat’s been a big fan of Tom Waits for some time now. 

Tom Waits:  I’m going out on a limb here, Pat, and try to summarize his music.  Let’s see, well for starters, Waits is diverse; that is he is all over the map with the range of musical genres he covers.  Nothing enlightening there, other than for novices like me who have only recently dabbled.  The subject matter of his songs is all over the map as well, including lyrics with a ‘squirm factor’ about them.  What I’ve come to see mostly in his music, however, is a youthful spirit: Waits pens songs as if he were still a kid… a kid with a boat load of intellect. 

Waits and those of like mind, tend to buck trends.  There is certainly some cockiness there, but it’s more a level of intelligence that gets bored with normalcy, orderliness and predictability:  They already have all that stuff pretty much figured out.  Chaos, dichotomy, paradox, and randomness (to use a favorite term of nephew, Joe)… now your talking!  Guitar and drums?...how about ukulele, harpsichord and tuba? The Beatles and the Stones?.... how about Zappa and Devo (and mix in some jazz, cabaret and vaudeville while your at it)?  ‘M*A*S*H*’ and ‘Letterman’? …how about ‘Monty Python’s Flying Circus’ and ‘Fernwood Tonight’ (not to mention the affiliated ‘Mary Hartman, Mary Hartman’)?  ‘Rocky’ and ‘Titanic’? ….how about ‘Eraserhead’ and ‘A Clockwork Orange’?  The ‘X-Men’? ….how about ‘Howard the Duck’?  John Grisham?  How about Kurt Vonnegut.

Elements of the same high-intellect-character trait revealed in Tom Waits, through his music, can be found in several friends and family members: Along with Pat, that short list includes Mac and Dale. My initiation into this alternate view of life, however, was particularly potent through my longtime friendship with Phil.  I must elaborate.

During the first half of my second decade of life, an average summer week could have easily consisted of the following activities:
Monday: Leggos with John; puzzles (in the 'puzzle room') with Joe and Fred
Tuesday: Pickup baseball with everyone; model building with Joe and Fred (including the old Hobby Shop monster models like Creature from the Black Lagoon, Wolfman, the Mummy, and Phantom of the Opera)
Wednesday: Hike down the tracks with Bruce and our dogs; trek downtown to purchase baseball cards and Wacky Packs and to exchange rolls of coins with the bank and local stores (to open and scan for wheat pennies and silver dimes for our collections)
Thursday: Blazing bike trails with Jeff through the woods and designing (then jumping) bike ramps.
Friday: Street hockey with everyone; baseball card trading with John, Fred, Bruce and Joe
Saturday: Monopoly with Fred, Phil and Joe; Chess with Bruce
Sunday: Water balloon fights with everyone; Kick the Can with everyone

This was pretty exciting stuff, but standard fare for a boy growing up in a great neighborhood, which would have sufficed.  But thank goodness for Phil, who made my weekly agenda far more unique and intriguing than what it would have been otherwise.  Phil was always keen on adding a twist, like recording bizarre ideas (how I wish we still had the recording of us impersonating ‘Kukla, Fran and Ollie’ with the caveat that they were in their 90s), making ice cream, or envisioning truly outrageous and hilarious scenarios.  To this day I laugh when thinking about them.  A skit of ‘Charlie on the MTA’ for our parents was beyond the beyond.  Playing with my plastic animals was a journey into character development (and even Phil had to admit those plastic animals had a truly aesthetic quality about them).  And the standard fare, including Monopoly, pickup football and croquet, evolved in ways their creators would never have imagined possible. When a cranky old neighbor (in the ‘castle’ across the street from our home) purchased a giant spotlight to keep an eye on us at night if we trespassed, Phil put together a song and dance routine.  My imagination grew by leaps and bounds in those days, and I have to give Phil much of the credit. 

Listening to ‘Beautiful Maladies’, I found myself traveling down that old familiar trail of life in the quick-thinking, high-intellect fast lane.   The album keeps you off balance, on the edge of free fall with nothing to grab on to.  But it is chock full of great tunes including ‘Jockey Full of Bourbon’, ‘Shore Leave’ (sounds like a Robbie Robertson style song, or is it the other way around?), ‘Innocent When You Dream’, ‘Hang on St Christopher’, and ‘Downtown Train’.  The song ‘Singapore’, apparently about a pirate trek to the Far East, has Waits modifying his singing voice for what appears to be two distinct characters, and includes the following stanza where the two characters swap vocals, line to line:

“The captain is a one-armed dwarf
He’s throwing dice along the wharf
In the land of the blind
The one-eyed man is king,
….so take this ring”

Gem of the Week, ‘I Don’t Wanna Grow Up’, is a particularly poignant song on this album.  The title is actually quite accurate for a Waits song title, as the lyrics conjure up thoughts of classic lyrics like ‘Hope I die before I get old’ and ‘May you stay forever young’.  It also reminds me a bit of last week’s Gem theme about the Beatles and wisdom.  When you think of wisdom, you think of growing up and overcoming your childhood insecurities.  But songs like these argue otherwise, interpreting wisdom as what you gain by staying young.  I believe the same goes for faith, as the most spiritual people I have ever known were all young at heart (particularly the priests and nuns who have managed to maintain a youthful air about them). 

Ahh, the paradox of youth and wisdom: Just the way Pat, Phil, and Confucius would expect in anything worth its weight.

So Pat, thanks again.  Listening to this album made me long for sitting around another campfire with you and the Canadian crowd, if only to see where the conversation would go. But for now, please put all our minds at ease and get back to deciphering black holes, totem polls, and Dead Sea scrolls. 

Below the Gem Video is a humorous conversation between Tom Waits and Iggy Pop. 
Below that is another Waits video, ‘Downtown Train’.

- Pete

Gem Video “I Don’t Wanna Grow Up’

Tom and Iggy (Coffe and Cigarettes):  http://www.youtube.com/watch?v=K6Mw6b1T50U

‘Downtown Train’


About the Video: Made-for-MTV like video (Tom Waits singing under a diner table)

Video Rating: 1