(Personal reflections
inspired by Bob Dylan songs)
Song: “Tangled Up in
Blue”
Album: Blood on the Tracks
Release Date: January,
1975
It was precisely four years ago this upcoming week when I made my
first and (to date) only foray to the frigid northern outpost town of
International Falls, Minnesota for a work meeting. You can’t go further north without crossing over
the Rainy River into the equally far-reaching wilderness of western Ontario,
Canada. This is Lake of the Woods
country, where timber wolves and woodland caribou roam. It’s where I took one of my favorite wildlife
photos, that being of a Great grey owl, a bird of the great north woods, and largest
owl species on the planet, sitting on a branch by the railroad in the middle of
nowhere and refusing to budge as I inched my way closer and closer for a near-perfect
snapshot.
The easiest way to get to International Falls is to fly into Duluth,
on the western-most border of Lake Superior, and then drive due north for 3
hours. The trek takes you through rugged
back country and super-sized wetlands, particularly as you get close to the
destination. This is partly because International
Falls abuts the vast watery world of Voyageurs National Park, much of which is
inaccessible by car. Yes, this U.S.
border town is about as remote as you are going to get in the lower 48, and the
feeling of isolation had me sucking in every minute of my visit.
With a small detour on that drive north, you can also check out a musical
landmark of sorts: Hibbing, Minnesota,
Bob Dylan’s childhood home. I did just
that on that late winter 2014 work trip, in order to see for myself this, the initial
source-locale of Dylan’s creative juices.
I liked Hibbing (even though I’m not sure Bob Dylan would say the same). It had a classic American feel, including the
primary retail street, E Howard, which easily reminds you of the downtown scenes
in It’s a Wonderful Life. I parked my rental car and strolled the icy sidewalks,
popping into a few stores, taking in the old-townie feel.
The only sour note on that self-guided tour was when I came upon a
restaurant I was looking forward to visiting called “Zimmy’s” which had to my
dismay closed shop just days before; a makeshift sign on the front door alluded
to a tax burden, making clear this unfortunate fact. I took a peak through the windows. There were all sorts of memorabilia visible
on the interior walls from that vantage point alone. It looked like a Hard Rock
Café, but dedicated solely to one musician.
Other than Zimmy’s however, which at that moment appeared to me more
like a structural apparition than a restaurant, there was very little to give a
Bob Dylan fan much of a pilgrimage feel.
Hibbing, a tough blue collar mining town in days gone by, presumably
still has a ways to go to accept its place in American history as the childhood
home of this iconic, Nobel Prize winner, who at the same time, remains an often-misunderstood
figure.
As a longstanding employee of the US Geological Survey who works
regularly with all things topographic, Hibbing also happens to connect with me
in a significant geographical way as well:
The town sits at the junction of 3 major North American watersheds. It’s a distinction Hibbing shares with just a
few other locations on the continent. Rain
falling on the Southeastern side of town makes its way into small tributary
streams that flow south to Lake Superior, then into the other Great Lakes, and
eventually over Niagara Falls and up the St. Lawrence River to the North
Atlantic Ocean. On the Northern side of
Hibbing, the flow heads north to the Rainy River, then west for a spell to Lake
of the Woods, then to Lake Winnipeg and from there due north up the Churchill
River to Hudson Bay and the Northwestern passage, which wind its way to the
Arctic Ocean. And finally, on the Southwestern
side of town, raindrops will find their way south to the mighty Mississippi
River, which in this headwater region of Minnesota, is a mere figment of
itself: Not much more than wetlands
connected by rivulets.
Pretty cool when you think about it: A musician with such a reverberating effect
on American culture, beginning his life’s journey at a geographical crossroads,
including the source of the Mississippi, which along with Highway 61, makes its
way downstream through such renowned Rock and Blues haunts as St Louis and Memphis
and eventually into the deep south of the Mississippi Delta and New Orleans. That journey down Ol’ Man River and Highway
61 is a story for another time though.
For now, I’d like keep my thoughts focused on the North Star State.
There’s a specific reason why I bring all this up in this entry: Next week I’ll be heading back to
International Falls for a second - and likely final - work-related trip there. I am sure to be stopping in Hibbing again on
the way north from Duluth (which also has Dylan ties, being his birthplace and
closest good-sized city during his upbringing).
This time, the side trek will be a bit different, however, because now I
am of course actually writing about Robert ‘Zimmy’ Zimmerman – as Bob Dylan was
known in Hibbing before changing his name - and the effect that his music has
on my memory and my psyche (four years ago my writing was being inspired by the
music of Neil Young).
When not actually working, I’ll be looking for local inspiration for
my next blog entry on this coming week’s journey, from the minute I step off
the plane to the minute I settle back into the familiar confines of my Pepperell,
Massachusetts home. I’m very much
looking forward to it. Oh, and I’ll be
including International Falls in that quest for inspiration too. After all, from a geographer’s point of view,
I can’t think of any place more fitting near Hibbing that fits the Bob Dylan lyric
“if you’re travelling in the north
country fair, where the winds hit
heavy on the borderline” from his early beloved song “Girl From the North
Country” (I reserve the right not to commit to that song as next week’s Master
Blueprint just yet).
Bob Dylan, not known for his strong ties to his home state, did
head back there on at least one fairly well documented visit in late 1974 to
re-record 5 songs for what was to become one of his most critically acclaimed
albums, Blood on the Tracks. The story goes that his brother, David, heard
the original recordings and convinced big bro Bob to rework a handful of the
songs with a local Minneapolis band. We
all get to hear some of those original recordings now on Bob Dylan’s bootleg
series, and although they are good, it’s pretty clear that brother Dave was on
to something. Side note: Hardly known in
Dylan circles as an RFK to his brother’s JFK, Dave Dylan is a nice
additionally-unique piece of storyline on the history of Blood on the Tracks.
After quite a lengthy period since Bob Dylan had last released a
truly classic beginning-to-ending album (I personally would go back to 67’s John Wesley Harding), how and why did Blood on the Tracks work out so well? Sure,
there’s something to be said for the spontaneity of enlisting a solid, no-frills
local band to back him for those Minnesota re-recordings. And of course Dylan’s then rocky marriage
contributed to his emotional edge too.
However, my thinking is that Bob Dylan was at least equally inspired
with his surroundings after being summoned back to his home state. Similar to the ’67 Basement Tapes ‘Big Pink’ recordings with The Band in the Catskills
of New York (I’ll be getting to that one in the weeks ahead), I believe the
location of those final 5 cuts for Blood
on the Tracks had quite a bit to do with taking what was a solid product
already, and turning it into an all-time rock and roll gem.
I’d like to think we all have a childhood hometown somewhere out
there, be it literal or figurative; a place where we can reflect, and hopefully
get inspiration from on a return visit.
Like any source of inspiration, one can’t tap into that well too
frequently or they’ll lose it. But
there’s a time and place for everything, and seizing the moment with an
occasional revisit to the home of your formative years certainly ranks right up
there. It’s all about finding that right
mood. And however that mood was drawn
out of Bob Dylan for Blood on the Tracks,
be it connecting with old friends and family, walking through intimate woods or
neighborhoods, visiting where he may have “worked as a cook for a spell”, or strolling
along a set of familiar train tracks (be
they bloody or otherwise), we get to hear the mood that was meant to be for Blood on the Tracks, an album which
captures the essence of a deep thinking man in his mid-30’s, baring his soul,
which was at the time in a state of turmoil.
Of the 5 tracks that Bob Dylan re-recorded in Minneapolis, one was
to prove to be among his greatest songs, “Tangled Up in Blue” ( https://www.youtube.com/watch?v=X4OHOGMeNOM ). Even those who do not
have an ear for Dylan have shown an affinity for this masterwork. “Tangled Up in Blue” is a song with a
universally emotional appeal. You can hear
that appeal in the lyrics, in the vocals, and in the music itself. The song is all over the place in terms of
reflections, but that’s part of what makes it so captivating. It’s as if the flood gates of bittersweet memory
opened wide in Bob Dylan’s mind, overflowing in this song. We the listeners can only hang on tight as
the images fly on past. When I listen it
has me thinking, how did he do that? And
yet, even more uncannily, it’s the mood heard on the record that I believe had
to be even more difficult to capture than the barrage of lyrical memory and imagery.
Perhaps I’m overdue for my own reconnect to some of the
intricacies that made my upbringing in my hometown of Franklin, Massachusetts
so vibrant and alive (which I believe now more than ever). Yes, maybe it’s time to take a stroll down my
own magical set of train tracks, to see if I can recapture some lost parts of
me, while at the same time, reach out when those images go flying by, to capture
that elusive mood, and then hold on tight.
And so it goes, Duluth, Hibbing, and International Falls for now, and
Franklin not far behind.
- Pete
Personal reflections based on the inspiration of songs. The "Fab Foundations" series (2020) is inspired by the music of the Beatles. "Master Blueprints" (2018) centered on Bob Dylan. "Under the Big Top" (2016) was on the Who. “Forever Young” (2014) was Neil Young centric. “Stepping Stones” (2012) focused on the Rolling Stones. The first 100 postings (the original "Gem Videos") emailed to friends and family and later added here are from 2008 and 2009; include songs from a variety of musicians.
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2 comments:
Hibbing will be so lucky to have you visit
Tangled up in Blue.....was my true introduction to Dylan, and took place while living on Lake Street. Thanks forever for making that introduction.
The song hits me to this day. Where once I was the young man denied approval, I now look at my girl's relationship from the other side of the coin. While my blessings never come easy, thanks in part to Dylan, I have a balanced view. And its all good.
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